Documentary: Sequencing Workshop

To follow on from the interview workshop we did a few weeks back, recently we took part in a sequencing workshop, that allowed us to film sequences to cover edits in our interview.

DOCUMENTARY- SEQUENCING WORKSHOP

In preparation for the workshop, we produced a shot list, based on what Cheyenne had said in the interview. The sequences needed to be related to what was being said on screen, and there also had to be enough to cover all the cuts made in the edit.

Here is the shot list:

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At the start of the day we booked out our equipment (a camera, and a tripod). We continued in the same roles as before; I was the director; Saskia was the camera operator; and Cheyenne was the talent.

Next we discussed the shot list and decided what to film first. We started by setting-up the equipment and filming all the shots that took place in the same location. I opened up a series of windows for Cheyenne to look at on a computer whilst we filmed her doing so. We spent some time filming this part of the sequence, shooting wide shots, medium shots, and close ups. We pretty much stuck to the shot list, although there were a few ideas the team had on the spot.

Next we moved to a different part of the base room to film so more of the sequences. We shot some footage of Cheyenne on the phone, to represent her demonstrating her communication skills. And finally, we shot the final part of the sequence, something which differed from the shot list. I decided to film Cheyenne watching her film on a projector, so we could physically see her reflecting upon it. This was an idea I had based on something I had seen recently in another documentary, however I did not think of it when we were writing the shot list.

After all the filming was complete, we sat down and edited the interview together, along with the sequences. We used to sequences to hide any edits and also to fill any gaps. After this was complete, we added some music and some titles.

Finally, we shared the film with the rest of the group. The feedback was mostly positive, however there were a few things that could be adjusted:
- Use some of the 'noddies' (interviewer reaction shots) shot during the interview to hide edits as well.
- Ensure the narrator doesn't say I unless people know who they are, or they have already been introduced on screen.
- Think carefully about which sequences match which parts of the interview.

Overall we were happy with the final film, and I think it demonstrates that we have the knowledge to go out and make our documentary.

Here is the final film: