Thursday 26 October 2017

Professional Pre-Production: Case Study Research: The Office US, Modern Family, Benidorm, Adventureland

Before I can begin to fully develop Pleasure Park, I must first complete some contextual research into similar shows/films I feel may have an influence on my decisions.

CASE STUDY RESEARCH:

THE OFFICE US

The Office is an American comedy series that aired from 2005 until 2013. Its about a the everyday lives of office employes at a paper company.

As The Office is a mockumentary comedy series, it will probably have a heavy influence on the decisions I make throughout this project. The main thing I will take from this example is its visual style and use of interviews to help guide the stories in each episode. This is common with mockumentaries, as they are basically fake documentaries.

In terms of visual style, The Office is very handheld and uses zooms a lot during scenes to highlight looks to camera from characters, and their facial expressions. This is something I would like to incorporate into Pleasure Park as I feel it will add to the comedy of the series, and it will fit with the current themes and styles I am thinking about.

Another element I would like to use in Pleasure Park is their use of interviews with the characters during most of the scenes. They will often be used as an opportunity for the character to express their opinion of something, usually what's happening in the scene, which often adds to the comedy, and does so in a better way than if they had just said it during the actual scene they are referring to.

MODERN FAMILY

Modern Family is an American comedy series that has aired since 2009. It follows the lives of three different, but linked, families living in Los Angeles.

The main thing I will take from Modern Family, like The Office, is it's uses of zooms to highlight character expressions, and looks to camera to achieve the same effect. I feel this techniques adds to the comedy of a scene, and is something you can only get away with in a mockumentary.

As well as this, I also like how Modern Family uses interviews as a form of cut scene, or a way to go into a cut scene. The characters will sometimes speak of an event we've never seen, and it will then cut to it before cutting back to the original scene. I would like to use cutscenes in Pleasure Park, and using interviews as a way to throw them seems like a good technique.

BENIDORM

Benidorm is a British TV comedy series that has aired since 2007. It follows the staff and guests of the fictional Solana hotel in Benidorm. One of the directors I am considering has directed many episodes of Benidorm.

This programme uses establishing shots before almost every scene, something which I like. Establishing shots help the audience understand the location and geography of a scene before it begins, which can help audiences enjoy a scene more. I think it would fit well for Pleasure Park to use sequences or montages of different shots of the park to establish each scene.

Below are some examples of the establishing shots I was referring to:


ADVENTURELAND

My final case study is a film which I have chosen because of it's similarity to my idea.

Adventureland is an American comedy drama released in 2009. It is set during the summer of 1987, and follows a recent Uni graduate who is forced to work a summer job at his local amusement park because of financial problems.

It wasn't until I began to research this film, and watch it again, that I began to realise the similarities in my idea and this one, mostly to do with my characters. Like my show, this film has two bosses that are married, an awkward, young main male character who has a crush on a strong minded main female character, a geeky best friend, a bully, and a gossip girl. I will use what I have learnt about the character development in this film to help aid the character development of my similar characters in Pleasure Park.

As well as this, I will also use some of the elements of dark humour in this film to aid my storyline develops and my visual style ideas. Overall, Adventureland will probably end up being a strong influence on some of my final decisions because of it's similarities. I want to draw on themes in the film, but I don't want Pleasure Park to be to similar to it.

Overall all of this case study research will help aid some of my decisions regarding:

- Characters
- Shot types
- Visual style
- Director choice
- Editing style
- Common techniques used in mockumentaries.

*UPDATE*

Pleasure Park is no longer a comedy series, however there are certain mockumentary style elements which I will still be able to apply to the show, for example the use of zooms to highlight character expressions, and the handheld look.

Wednesday 25 October 2017

Professional Pre-Production: Greenlight Pitch


As part of this process I had to deliver a pitch for Pleasure Park. The aim of this was to receive feedback to help develop the idea.

GREENLIGHT PITCH

In preparation for this pitch I:

- Defined the show and the channel
- Laid out the story arc, and synopses for each episode
- Described the characters
- Cast the show
- Explored possible locations
- Created branding and promotional material
- Created an opening title sequence.

Below is a link to the presentation I used for the pitch. This presentation was designed to fit with the style and themes of the show.

https://drive.google.com/open?id=0B3hW18qd4t5oeU5KdThEd2NBeU0

FEEDBACK-

Feedback was mostly positive, but I was also given some constructive comments:

Positive
- Unique idea
- Good characters
- Branding and promotions good
- Episode synopses improved since first version

Negative
- Female characters too clique, not unique like the male characters
- Some elements of the synopses still need improving
- Branding good, but maybe still too animated
- Cast needs a major rethink. Too well known to play fictional real life people.

I will take all of this feedback on board and begin making changes to the show, mostly to the cast. I have decided to stop developing my branding and promotional material. I like it as it is, and I will find a good way to back this up. Just because a comedy like this hasn't had an animated look to it before, doesn't mean this one can't.

Tuesday 24 October 2017

Professional Pre-Production: Episode Synopses Developments

After discussing my initial episodes synopses with my tutor, he came to the conclusion that the show didn't currently have a proper story arc, or end goal, a fact I agreed with, so I have redeveloped the synopses.

EPISODE SYNOPSES DEVELOPMENTS

These are the changes I have made:
- The show now focuses on the characters as they try to save the park from redevelopment. The local council want to turn Pleasure Park into a brand new shopping mall in the hopes that it will bring more people to Fairwood. Frank and his team will need to try their hardest to save the park.
- Frank and Jimmy are now old buddies, and although Jimmy doesn't like what Frank has done to the park, he still wants to help Frank save it.
- During episode 3 Daniel now stars in the new advert, which helps bring him to the attention of his crush Emily.
- Episode 4 is now about a really famous guy, instead of a really fat guy. I felt the fat customer story was maybe too far, and revealed a bit too much about how ride operators feel about larger customers in real life. It may have been too offensive. The entire episode has been rewritten to include a story about a really famous guy who must have a good day at the park, but doesn't because of a series of events.
- During episode 5, Frank and Debbie now visit the council offices, instead of going on their honeymoon.
- Episode 6 now ends with a cliffhanger where Frank is offered an investment from a mysterious caller. Will he expect the offer?
- Episode 6 also has a couple of small changes in terms of the Daniel and Emily storyline. They are now left at the top of the Big Wheel, rather than being locked in a closet. I feel the Big Wheel story will work better for the show, and be visually more interesting.

So now that these changes have been made, these are the new episode synopses:

EPISODE 1- THE FIRST DAY OF SUMMER

Frank and Debbie are determined to make this summer season the best one ever, but a letter from the local council informs them that they want to close the park and redevelop the land as a brand-new, state of the art shopping centre. They don’t let this prevent them from opening the park for the summer, but it does concern them. It’s newbie Daniels first day and he struggles to fit in until he meets Harry, who introduces him to Emily, the girl everyone has a crush on. Regular customer Reggie is at the front of the non-existent queue eager to be the first person through the gates, but he can’t find his tickets. The opening day doesn’t go very smoothly. Frank calls a team meeting to tell everyone the bad news.

EPISODE 2- THE INSPECTION

A surprise health and safety inspection causes chaos across the park as Ned tries his hardest to make sure the park passes. Sara does her best to ensure every member of staff is up to standard. A failure could give the council a good reason to instantly close the park, which is what they want. Frank enlists the help of Jimmy, and the two of them visit the council offices to try and convince them to keep the park open. Daniel tries to make a move on Emily, but Jake gets in the way, and Lucy’s gossiping doesn’t help.

EPISODE 3- THE BRAND-NEW ADVERT

Frank receives another letter informing him that the council have set up a meeting to decide the fate of Pleasure Park. In a last bid chance to keep it open, he and Debbie commission ‘professional’ filmmakers to create a brand-new advert. They put teacher's pet Freddie in charge of the advert, who struggles to work with the two difficult directors. Popular ride op Oscar is asked to star in the advert, but gets nervous at the last minute, so Daniel steps in. Sophie begins to think her sister Katie is trying to steal her crush Jake, but that is not the case.

EPISODE 4- THE REALLY FAMOUS GUY

After the new advert fails to bring in any new customers, Pleasure Park is getting closer to closure. The last thing they need is bad reviews. A really famous guy visits the park with his children, and Debbie is in charge of keeping him happy in the hopes he will give it a good review. Unfortunately, he ends up having an awful day because regular customer Reggie won’t leave him alone, and Jake has no idea who he is. Harry acts as a wingman to Daniel as he tries to ask Emily out again, but rumours about her past put him off.

EPISODE 5- THE MYSTERIOUS BOX

Frank and Debbie are called to the council offices to discuss the future of Pleasure Park. Whilst they’re away, a mysteriously large box with their names on it is delivered to the park. Everyone wants to know what’s inside, but Freddie won’t let anyone near it. Taking advantage of Frank not being there, Jimmy makes some changes in the hope of improving the park. Ned decides he has no future at Pleasure Park, especially with its impending closure. Sara does her best to convince him to stay, and she realises her feelings for him.

EPISODE 6- THE AWARDS NIGHT

It’s the end of the summer season, and judgement day for the park. Despite the possibility of closure, Frank and Debbie continue as normal and throw their annual Pleasure Awards. A series of events caused by Jake lead to Daniel and Emily being left at the top of the big wheel, where Daniel soon finds out the truth about her past. A nervous Sara gets drunk and kisses Ned. Jake turns down Sophie, who turns to her sister Katie for comfort. Jimmy and Oscar win most of the awards which irritates Freddie. The local council turn up at the awards night to deliver the verdict. Seconds before their fate is revealed, Frank receives a phone call from an unknown person. They tell Frank that they’ve seen the advert online, and they want to invest money in the park. Will Frank accept the offer, or will the park close forever?

I feel these changes to the synopses will improve the show, and allow for better story and character development.

Professional Pre-Production: Broadcaster Change: Netflix to Sky One

Whilst developing the show, and after discussing the show with others, I have realised that this show will not work on Netflix, and so I have decided to change the broadcaster.

WHY NOT NETFLIX?



I feel the show is too British for Netflix, and not the type of show that Netflix would be interested in making. The cast I have currently chosen also don't fit with the types of cast you get on a Netflix production, which would usually be up and coming stars you haven't heard of yet. I initial decision for choosing Netflix was purely based on personal preference, and not what would work for the show, and so Netflix is now out of the question.

NEW BROADCASTER: SKY ONE


Sky One is an entertainment channel launched in 1982. It is operated by the broadcasting company Sky plc. They broadcast programs mainly imported from the US, however they also play a lot of original comedy programming like A League of Their Own, An Idiot Abroad, Trollied, & Stella.

They have an average audience share of 0.67% a month; 0.07% on Sky 1+1 (Barb, September 2017). Although low, their audience share is higher than most other non-mainstream channels, the mainstream channels being BBC, ITV, Channel 4, & Channel 5. They also provide an On-Demand service for Sky customers.

WHY SKY ONE?

Sky One have a history of commissioning original comedy productions, as well as a history commissioning work place comedy (e.g. Trollied). The show itself is very British and so I feel it belongs on a British channel. Although Sky One mainly broadcasts US programmes, they make a point in broadcasting original British programming on a regular basis too. Sky also have deals with US broadcasters like FOX that enable them to share programming, so this show would possibly be available on an international scale too. Their On-Demand service will also mean viewers can choose to watch the show when they prefer, so the benefits of having the show on Netflix, still apply even with it being broadcast by Sky One instead. And finally, as Sky One is a subscription channel, their is a little more freedom as to what you can, and can't do.

I feel the light, colourful and friendly feel of the Sky One brand matches the feel and style of this programme. And I feel as Sky One is currently broadcasting more original British content than it ever has before, they'll be more than happy to add another show to their list.

PLEASURE PARK AUDIENCE VS SKY ONE AUDIENCE

My chosen audience for the show is 18-35 year olds of a working class background. I have chosen this audience for two reasons, because the comedy & characters in the show appeals to younger viewers, and because the show is about working class people, and the environment they work in. My research has found that although Sky One caters for the whole family, their late night slots are aimed at 18-35 year olds. I also found that their highest audience figures generally fall in the 16-34 age for both men and women, and also in the housewives with children bracket. This shows my target audience would be reached if the show were broadcast on Sky One, which is another reason why I chose the channel as my broadcaster.


Overall I think Sky One will be a better home for the show than Netflix will be. The show will more likely be commissioned by Sky One because it is too British for Netflix.

Sky One Audience Research: https://www.skymedia.co.uk/channels/sky-1/

Professional Pre-Production: Branding/Marketing Version 2

Prior to my greenlight pitch it was mentioned that my title card design, and promotion designs were too clean and polished to represent a show about somewhere that is failing. From this I came up with the idea that the designs could look worn and distorted.

BRANDING/MARKETING DEVELOPMENTS

I looked around online at abandoned theme parks, and how certain elements of them look deteriorated over time, specifically posters on the walls. I found that they discolour, tear, and peel off the wall. I took these three elements and applied to the graphics I had created previously.

I added a grunge texture and a page peel. I also took the logo of the show, tilted it slightly, and made it look as though some of the letters were broken lights.

After all these updates, the branding and marketing mock-ups looked like this:

TITLE CARD



POSTER



BILLBOARD



SMALL BILLBOARD


 

BUS POSTER




BUS STOP POSTER



I am very happy with the changes I have made. I feel they better represent the show now that they look more damaged and deteriorated, as they match the style and themes of the show. The amusement park this show is about is deteriorating and ready to close, so it makes sense that the graphics and promotional material follow suit.

Monday 23 October 2017

Professional Pre-Production: Possible Locations

Pleasure Park is set in a fictional seaside town. The town is called Fairwood and is in Lincolnshire (home to Skegness). Like most other seaside towns it's a little run down, and not very popular. This lack of popularity is one of the many reasons why Pleasure Park isn't doing very well. The local council want to build a large shopping centre in the hopes that it will bring people to Fairwood, put to do that, they must demolish Pleasure Park.

The choice of location will be really important in ensuring the show looks and feels how I intend it to, so below are my current options.

POSSIBLE LOCATIONS

Fantasy Island (Skegness)
Fantasy Island is a family amusement park in Skegness. It currently has about 24 rides, 5 of which are roller coasters.

Pros-
- Visually interesting.
- Lots of rides which provide good background for scenes.
- Right next to a large holiday park which would work well as cast and crew accommodation.

Cons-
- Maybe to big to be a failing amusement park.
- Doesn't look run down enough.
- Probably too busy.

Dreamland (Margate)
Dreamland is the UK's oldest amusement park. It's also home to one of only eight Scenic Railways in the world, this one being the oldest in Europe.

Pros-
- Visually interesting
- Big enough space to film a television show
- Has a good number of rides
- On the seafront, which is good for the show.
- The town of Margate would also work well as a run down seaside town.

Cons-
- Recent redevelopment, and plans for the future, mean the park wouldn't really be a good background for a fictional failing amusement park.
- Looks too new.
- Very busy during the summer season, filming would be difficult.

Adventure Island (Southend-on-Sea)
Adventure Island is a family amusement park in Southend-on-Sea. It is home to 33 rides, 5 of which are roller coasters.

Pros-
- Visually interesting
- Lots of rides
- Right next to the beach, which works well for the fictional town's seaside setting.

Cons-
- Southend is quite a popular town, so probably wouldn't work well as a failing seaside town.
- From my experience the park is usually quite busy.
- Doesn't look run down enough

Harbour Park (Littlehampton)
Harbour Park is an amusement park in the coastal town of Littlehampton. It is home to 14 rides, one of which is a roller coaster.

Pros-
- Right next to a harbour/beach area.
- Looks reasonable run down.
- Small and quiet.
- In an area that would work as a failing town.

Cons-
- Maybe too small and quiet to work well for the show.
- Not a lot of rides.

Pleasure Beach (Great Yarmouth)
Pleasure Beach is an amusement park in Great Yarmouth. It is home to 27 rides, one of which is a Scenic Railway.

Pros-
- Looks slightly run down.
- Has Pleasure in the name of the park.
- It's right next to the beach which works well for the show.
- Situated next to a holiday park which is good for cast and crew accommodation.
- Has a good number of rides.

Cons-
- Not really what I imagine Pleasure Park looking like.
- During the summer season it gets quite busy.

Pleasure Beach (Skegness)
Pleasure Beach is a family amusement park in Skegness. It is home to 24 rides, 4 of which are roller coasters.

Pros-
- Right next to the beach
- Situated in a town that could work as a failing seaside town.
- Has a good number of rides
- Looks like how I imagine Pleasure Park looks.

Cons-
- Can be busy during the summer season, even though Fantasy Island is nearby.

These are my current options for the location of Pleasure Park. My next step is to look at these options and eventually narrow it down to a final choice.

Professional Pre-Production: Mockumentary Genre

I have chosen to make 'Pleasure Park' a mockumentary series.

WHAT IS A MOCKUMENTARY?

According to the Oxford English Dictionary a Mockumentary is 'a television programme or film which takes the form of a serious documentary in order to satirise its subject'. This means the situation within the programme is fictional, but takes the form of something that is non-fiction.
War Of The Worlds

It can be argued that the first ever example of mockumentary in popular media was in 1938 when Orson Welles broadcast 'The War of the Worlds' on the radio, causing mass panic amongst it's listers who believed it to be a real event. The radio broadcast was portrayed as a news broadcast, however the actual contents of the broadcast was fictional. This fits in with the definition of a mockumentary.

From the 1980s onward, the mockumentary genre has become more and more popular in the film industry. In the 80s there were productions like Woody Allen's 'Zelig', a film about a man who can transform into anyone near him, and Rob Reiner's 'This is Spinal Tap', a film about a fictional British heavy metal band. In the 90s there were more productions like 'Man Bites Dog', a film about a team of filmmakers following a serial killer, and Peter Jackson's 'Forgotten Silver', which was about a fictional pioneer filmmaker called Colin McKenzie.
REC

In the early 2000s the film industry saw more and more mockumentaries emerge, like 'Dark Side of the Moon', a French mockumentary about the apparent faking of the first moon landing. Then in 2007 one of first mockumentary animations was created by Sony Animation when they released 'Surf's Up', a film about a Penguin who wants to win a surfing competition. In recent years mockumentaries have even appeared in the horror genre, although they are often referred to as 'found footage' movies. The most popular example of this is the Spanish film 'REC' which brought the 'found footage' back to the silver screen.

W1A
In television terms, mockumentaries have appeared all over the schedule since the 1990s. From 1997 to 2001, the BBC ran a series called 'Stella Street' which was about a fictional group of UK and US celebrities that had all decided to move to the Surbiton area of London. In Canada there is a popular mockumentary series called 'Trailer Park Boys' which is still on air.

Over the years more mockumentaries have appeared on British television like The Office (UK), People Just Do Nothing, Twenty Twelve and W1A, and they've proved to be popular with audiences.

WHY MOCKUMENTARY?

I have decided to make 'Pleasure Park' a mockumentary for the following reasons:

- I want people to beleive this place, and the people that work there are real.
- I like the idea that this style will allow the audience to go behind the scenes at an amusement park and see things that you wouldn't normally be able to see.
- These characters are letting cameras into their lives, and letting the audience see them at their highest and at their lowest.

I feel that by making the show a mockumentary series, it will allow me to achieve these three aims. I also feel there is room in the schedule for another mockumentary series, especially one about a theme park, which to my knowledge has not been done before.

Images:

Wednesday 18 October 2017

Professional Pre-Production: Initial Marketing Mock-Ups Version 1

As part of my role as a concept producer on this unit I will be producing marketing material (e.g. posters, billboards etc...) for Pleasure Park.

INITIAL MARKETING MOCK-UPS

To begin this process I spent some time looking at how theme parks promoted themselves, specifically the theme parks I'd looked at when creating the show's logo. These were the examples I focused on:







From this research I learnt that theme park's market themselves in a fun and colourful manor. The advertisements tend to feature a rollercoaster, or an iconic ride from that park. They also feature the logo of the park being advertised somewhere on the page. I also found that at least three of the posters used childrens TV characters to advertise and gain the attention of children. The three parks that did this have areas of their parks dedicated to these characters. I also noticed that the sky tends to feature in the posters, perhaps to show the heights of the rides featured too.

To further this development, I began looking into how my chosen broadcaster, which at that moment in time was Netflix, to see how they advertised their content. These were the examples I looked at:





From this research I found a number of similarities in the way Netflix advertise their content:
- The Netflix logo features on the poster (often at the top)
- The line 'A Netflix Original Series' appears either above, or below the title of the show
- The main character(s) are on the poster.
- At the bottom of the poster it tells you when the show will be available to stream on the service.
- If the show has a tagline, it is also written on the poster
- All of the posters follow the themes of the show they are advertising

Finally I wanted to look into the most common types of advertising. During my research I found that the most common ways to advertise television programs (not including online) were:
- Posters (posted put up anywhere possible)
- Billboards
- Buses
- Bus stops

Taking all of this information on board, I began working on my initial poster design. I decided it should follow the design of the show's title card, using the same fonts, colours and graphics.

I started off by drawing a design on paper first, which looked like this:

This design followed the Netflix standards by placing the Netflix logo at the top, and release date at the bottom. I forgot however to add the 'Netflix Original Series' text. I ensured my final designs had this.

I used this outline to create a poster in Photoshop.

POSTER



This poster uses the ideas I had picked up from my research into theme park posters and Netflix posters. The poster is colourful and follows the style of the show. 

I decided to add a tagline to the poster to add a bit of comedy to it. The tagline 'We'll Pleasure You' comes from a line the main character of the show says a lot to customers without realising how rude it sounds. I thought it'd be quite a funny tagline for the show, and for the fictional theme park itself.

The release date for the show (Feb 2018) comes from my research into Netflix series release dates, they tend to be in the first half of the year. I thought the show could form part of their New Year schedule. Also, the show would've probably been filmed during the summer period of 2017, so an early 2018 release seems realistic. 

I like the design of the poster, and although it does look a little animated, I feel it fits the style of the show, and the vision I have for it. I also feel as the show is a mockumentary, it makes sense that the poster looks like an advertisement for the fake theme park, as well as the show about it.

Using the above poster as a template, I created other marketing mock ups:

BILLBOARD



SMALL BILLBOARD



BUS POSTER




BUS STOP POSTER



Overall I am very happy with my initial marketing mock-ups, and I feel they fit with the themes and styles of the theme park posters, and Netflix posters I used a references. These designs will change as the project progresses, these are just my initial designs.

Saturday 14 October 2017

Professional Pre-Production: Initial Casting Ideas

As part of this unit I must cast my show. Because the show is fictional and will never make it to screen, I can be as creative as I like with my casting choices. There is no budget to worry about.

INITIAL CASTING

Below are the people I beleive should/could play each of my characters.

Frank 'Mr Pleasure' Diamond: John Challis

Known mostly for his roles in Only Fools and Horses, The Green Green Grass, and Benidorm. I have selected him because he has played dodgy businessmen on television before, and because he has the look I am after for this character.








Debbie 'Mrs Pleasure' Diamond: Alison Steadman

Known for her roles in Gavin & Stacey and Fat Friends. I have selected her because I can picture her playing the wife of John Challis's Frank Diamond. She has the look I am going for with this character, and she has been in comedies before so it's a genre she'll be willing to work in again.








Sara Green: Sally Phillips

Known for her roles in Miranda, Jam and Jerusalem, and Smack the Pony. In the past she has played a character with an annoying habit, and Sara has an annoying laugh, and way of pronouncing her name. Like my other casting choices, she also looks like how I imagine Sara looks.







Ned Parker: Simon Bird

Known for his roles in The Inbetweeners, and Friday Night Dinner. Ned is the sort of character you love to hate. He is also the sort of character that irritates his friends, and isn't that popular. And finally he is the sort of character that is socially awkward. I feel Simon would fit this role, as he has played similar characters in the past. I also feel he looks like how I imagine Ned looks.







Daniel Waterhouse: Tom Rosenthal

Known for his roles in Friday Night Dinner, and Plebs. Tom has played young and awkward characters in the past, and that is why I feel he would be perfect to play Daniel.









Jimmy (Jim/James) Reynolds: Derek Jacobi

Known for his roles in comedies like Vicious, and Last Tango in Halifax. Derek has played a grumpy old man in Vicious, and so I feel he would be great at playing the grumpy old man that is Jimmy. Derek is a high profile actor, which I feel would draw attention to the series.








Katie Smith: Zawe Ashton

Known for her comedy roles in Fresh Meat and Not Safe for Work. She has played a gothic style character in the past, which fits the personality of Katie, and so I feel she would be perfect for the part.









Sophie Smith: Alice Felgate

Known for her roles in Some Girls, and You, Me & Them. In Some Girls Alice played a character similar to what I imagine Sophie is like, and that is my main reason for casting her.









Jake Evans: Ed Westwick

Known for his roles in Gossip Girl, and White Gold. Ed has played a selfish, rude character in the past, and that is who Jake is. I feel he has the necessary experience to play Jake. He also looks like how I imagine Jake will look. He also has experience being in a comedy series.









Emily Roberts: Nikki Runeckles

Known mostly for her role in Bad Education. This role saw her play a loose character that had a crush on her teacher. She was outgoing and revealing, but when you got to know her that was more to her than just sex. That is how I imagine Emily is as a character, and that is why I have cast her in this role.








Lucy Taylor: Emily Head

Known for her roles in The Inbetweeners, and Emmerdale. In Emmerdale she plays a mean character who is similar to how I imagine Lucy is. I also feel she looks like how I imagine Lucy looks. She also has experience being in a comedy series.








Freddie White: Tyger Drew-Honey

Known for his roles in comedies Outnumbered, and Cuckoo. Tyger has experience being in a comedy, and looks like how I imagine Freddie might look (just without glasses).










Reggie: Marek Larwood

Known for his roles in 'Sorry, I've Got No Head', and Celeability. Marek fits the profile of Reggie, and in Celeability he played a character that was a bit of a creep much like Reggie is.









Steven & Beth: Steve Coogan and Jessica Hynes

Steve is known for his roles in I'm Alan Partridge, and The Trip. Jessica Hynes is best known for her roles in W1A, and Twenty Twelve, playing the same character in both. Steve and Jessica have both previous played a character who is not as good at what they do as they think they are. I think they would both be perfect to play the two 'professional' filmmakers that come to the park. 



Oscar Wood: Not yet cast

Harry Clarke: Not yet cast

These are my initial casting choices, however those choices will most probably change as the production develops. At this moment in time I feel I have cast the right people to do the job.

Images
http://www.theenglishgarden.co.uk/wp-content/uploads/2016/10/John-Challis.jpg
https://www.wirelesstheatrecompany.co.uk/wp-content/uploads/2016/11/Face-to-Face-at-The-Arts-Alison-Steadman-6022.jpg
http://www.pbjmanagement.co.uk/sites/default/files/styles/gallery_full/public/thumbnails/image/Sally_Phillips_0618.jpg?itok=oG5Y3mMp
https://i2-prod.mirror.co.uk/incoming/article4767080.ece/ALTERNATES/s615b/British-Independent-Film-Awards.jpg
http://www.unitedagents.co.uk/sites/default/files/thumbnails/image/spotlight-image.jpg
https://www.templemusic.org/wp-content/shopp-images/Jacobi,%20Derek%20(DH_6267).jpg
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