As part of the post-production process, we sat down as a group, just before the fine cut viewing, to edit some of the GVs into the documentary.
GROUP EDIT
Prior to starting, I set up shop in one of the production rooms. I decided to hook my mac up to a television so the other two could see what I could see whilst we were inserting GVs. I set it up so on my screen I could see the timeline, and on the TV they could see the bins, source preview and program preview.
Our edit set up |
After a short break we moved on to section 2, filling the gaps with GVs. We also now had a chance to start using some of the GoPro footage that Cheyenne filmed on day 3. A little while after starting, Helen asked if she could see the fine cut, so we had to pause for a second.
Not long after finishing the fine cut viewing, we decided to stop there, and now that I had an idea of the types of GVs the rest of the group liked, I decided I would finish the documentary at home.
Overall, it was good to sit down as a group and collaborate on this part of the project, as I finally got an idea of how the others wanted this documentary to look, and what kind of shots they liked. Also the set up, using the TV, made this process a lot easier than I thought it'd be.
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