Thursday 31 December 2015

Directions: Chosen Scenes

I have now watched every single episode of Breaking Bad again. Whilst watching I kept a list of scenes that I could use for this project. I also noted down any other important details.

Here is the list:
  • S1E1 Walt finds out 1:09. Wife questions him about card payment 1:01. 19mins
  • Song from end of ep1
  • S1E2 15mins ep2 2:13
  • S1E2 heads or tails 21 mins 3:45
  • S5E14 phone call scene 40mins 4:40
  • S3E12 bar scene 9mins 5:55
  • S3E12 Mikes Speech 5:40
  • End of season 3 into start of season 4
  • S5E1 Opening of season 2:34
  • S5E1 Diner scene
  • S4E2 car scene 2:00
  • S4 E12 car park scene 3:10
After watching all of these scenes back I have decided to pick:
  • S4E2- Walt goes to Gus's house to kill him but doesn't. (2mins)

  • S4E12- Walt attempts to blow up Gus but Gus foils the plans by not getting in his car. (3mins)
Screenshots from this scene
Both scenes are very tense and I think they demonstrate how Breaking Bad uses music and imagery in a very effective manor to build tension.

I will now work on forming a script using these scenes.

Sunday 20 December 2015

Work Experience- Stand-in on Take Me Out


Recently I was given the chance to be a stand-in on ITVs Take Me Out, and of course I said yes!

On the first day we turned up early so we could see the set before it got too busy. I watch the show a lot so it was so cool to be on the set. It's not as big as it looks in real life, but that is usually the case with TV because of wide angle lenses.

We started off by doing the stair walk. At the start of each show the girls must walk down this big staircase at the back of the studio before walking down and standing behind their podiums. We had to do this a couple of times which was really fun. Next we had our microphones put on and we had to stand behind the podiums and pretend to be one of the girls. I was Beckie. For the first day of rehearsals we rehearsed with some stand-in boys and the stage manager Al was a stand in for the host. We had a lot of fun that day. The girls on the show always say the weirdest things to the boys so I tried my best to do that to. I think I pulled it off.

The next day we were very excited because we would be doing a rehearsal with the host of the show Paddy McGuinness. I am a big fan of Paddy so it was really surreal for me to be on set with him. We did the stair walk again and then moved on the the podiums. This time we were also rehearsing the real guys that were going to be on the show. Again it was down to us to come up with the weirdest responses and try and keep the atmosphere high.

The next day was a big day for me because the producers had asked me to be a stand-in boy for the real girls that were going to be on the show. Because of the way the show works, the real girls and boys can't meet until the show is being recorded so they need stand-ins for every rehearsal. I was nervous for the entire day. Next thing I knew I was being taken backstage to get into the lift. I walked up a spiral staircase, still nervous, and stood in the lift. I could hear all the girls chatting whilst the stage was reset. Then my walk on music started playing. The lift started moving and that was it, I was on camera, in front of the girls and a small audience of crew - there was no turning back. The production team had provided me with a few things to keep the girls entertained. After introducing myself I lost a few girls because they thought I was too young for them. Next I had to limbo and finally I had to tell a few cheesy jokes, I lost quite a few girls on that one. Finally, the power was in my hands and I had to choose a date. I went out and turned some lights off, that was it, I had my date. Mark, the stage manager, introduced us and then we walked off up the stairs and out of the studio. It was an incredible experience and not many people can say they've done it.

Over the next few days we were back in the studio standing in for the girls. By the end of it I think Paddy was scared to ask me about the boys because my answers were so rude. It was hilarious though.

There is a video of my time as a stand-in boy but unfortunately I can't post that until the show has been broadcast.


My experience as a stand-in on Take Me Out was brilliant. Working with Paddy and the whole crew was super. It was an amazing experience. I had a great time!!

TV Play

During our time on the course we have to produced a few episodes for the TVPLAY YouTube channel. TVPLAY is a weekly web series created by UCA television production students.

For my groups episode we thought about creating a video all about the work we do as students. We came up with "A day in the life of a TVP student". We planned to shoot our day to day life using a GoPro.

At the time I was working on my story-telling unit so I took the GoPro with me on my shoot. I placed on the heads of my crew and got some really good behind the scenes footage. I also shot some footage of my journey to the studios, me booking some equipment from our equipment store, general socialising with other students and me editing my film together.

Once all the footage had been shot I opened up Premiere Pro and cut it all into a short video with some titles and music. I then sent it to Helen who has to sign each film off before it is released on the channel. She gave me some feedback about the titles and the music so I went ahead and resolved these issues. Here is the final cut:


Overall I am happy with the final result. I really enjoyed making the video and I'm glad everyone will get a chance to see what really goes on inside The Maidstone Studios.

Directions: Opening Title Suggestion

As part of this unit we need to, as a group, come up with an opening title that will play before each persons film. It's a way of linking all of our films together as though they are a series.

After some brainstorming I thought it would be a good idea if it was film related. I thought about using film reels as the main theme. The reels could have a photo on them of us as a group and then it could cut to a separate reel with the title of the series on it.

Next I opened up After Effects and began working on a new composition. I added in my film reels, animated them and added in some text to give everyone an idea of what the visuals would be. I then animated the camera, added in some lights and added a few focus pulls, with a bit of dust on the lens to make it look like a projector trying to focus. Finally I added some sound effects.

This was the final result:


Overall I am happy with it.

Tuesday 8 December 2015

Directions: Red Riding Prep Project

As part of our directions unit lectures we were given the script for the opening scene of "Red Riding 1974". We then had to act as though we were directing it and pick a cast, crew, locations & think about tone and style.

Cast-

Eddie Dunford- Eddie Redmayne

Bill Hadley- Bill Nighy

Maurice Jobson- David Tennant

Kathryn Tyler- Sian Gibson

Barry Gannon- Benedict Cumberbatch

Bill Molloy- Philip Glenister

Mrs. Kemplay- Belinda Stewart-Wilson



Crew-

Director of Photography- Balazs Bolygo

Production Designer- Brian Sykes

Editor- Colin Fair

Locations-

Leeds: Leeds.

Leeds Skyline
Dawson Construction site: Construction site in Kent.

Construction site
M1 Motorway: Thanet Way.

Thanet Way
Wakefield Police Station, Conference Room: Build set in a studio.

Conference Room

Tone/Style-

Handheld, gritty, action packed feel. Low-saturation. Dark, naturalistic feel. Natural lighting. Realism.

E.g.:

Ripper Street (2012-present)
Life on Mars (2006-2007)























Sound-

Similar vibe to the visual. Natural sound.

Construction site: Nighttime ambience/foley.

Motorway- Radio in car. Traffic noise. Rain on windscreen. Sounds of car accelerating.

Conference Room- People talking. Phones ringing. People typing (type writers or computers?).

Monday 7 December 2015

Directions: Drama Series Choice

As part of our directions unit we have been asked to chose a drama that we would like to adapt a scene from.

I have chosen BREAKING BAD


Breaking Bad was a American crime drama produced by Sony Pictures for the AMC network. It ran for 5 seasons between 2008 and 2013. It was created and produced by Vince Gilligan.
The show tells the story of Walter White, a chemistry teacher diagnosed with terminal lung cancer, who, along with a former student, Jessie Pinkman, turns to a life of crime, producing and selling crystal meth to help secure his family's financial future before he dies.
Directors:

11 episodes were directed by Michelle MacLaren. 8 episodes were directed by Adam Bernstein. And 5 episodes were directed by Vince Gilligan, the show's creator. Even Bryan Cranston directed 3 episodes. All the other episodes were directed by a mixture of directors. It is clear however that Michelle MacLaren was the main director.


Clip: Breaking Bad Season 1-5 Trailer


Why I chose Breaking Bad:

I was a late comer to the Breaking Bad fan club. Everyone was always going on about it so I decided to finally watch it. I watched all five seasons over one summer and I absolutely loved it. I chose Breaking Bad because I think it is one of the greatest pieces of television to have been produced in the last 10 years. I think it has some great moments, but I won't say what they are in case you haven't seen it, because I guarantee you will eventually. The characters are great, the storyline is great, the dialogue is great, it's just great! I was addicted to it!

I want to adapt one of those great moments in my own way and use Vince's incredible dialogue to create my own masterpiece just like Breaking Bad. Of course it will never be anywhere near as good as Breaking Bad, but I will give it my best shot.

Oh and the other reason I chose it was so I could give myself an excuse to watch it all over again!!

I have not decided on a scene/s yet however I have decided that I will choose one/a few from season 1 because that season set up the story and introduced us to Walter White and Jessie Pinkman, two incredible characters.

Friday 27 November 2015

What I've Learnt About Screenwriting

Over a series of lectures with Simon and Steve I learnt about the Art of Screenwriting. Below I have summarise what I learnt:

  • Every script begins with an idea. This process is all about brainstorming.
  • Every story has a beginning, middle and end.
  • The key ingredients are:
    • Character- All stories are about people. They give it meaning.
    • A goal (we need a good reason for the ending)- They need something to aim for. Something to solve, get, find.
    • Conflict- The protagonist needs something to face or overcome. Conflict creates drama.
    • Change- A change of affairs. The 'world' we are in needs to be different by the end. This is the most significant part of the story.
  • Pre-writing is important. 65% of writing is pre-writing. 5% is actual writing. 30% is re-writing.
  • You need to note down every idea you have.
  • Test the ideas. Which gives the strongest reaction.
  • Think about who, what, when, why, how?
  • Story: A series of events that form the screenplay.
  • Plot: Most interesting and dramatically effective way of telling the story.
  • Theme: What the story is really about, 'the idea'. Gives the script emotion.
  • Protagonist: Character we want the audience to focus on. They will go on a journey, they will change.
  • Main/secondary characters: People who interact with protagonist and have an affect on the outcome.
  • Minor characters: Add detail/atmosphere or comic relief.
  • You need to filter the ideas, build the story, research the story, build the characters and then build the world.
  • Moments are essential.
  • You can't say it, you have to show it. Use action, behaviour and drama.
  • People do not just open up about their emotions. You're characters shouldn't either.
  • Know what you hate and never write it.
  • Think carefully about timescale.
  • Think about voice overs and flashbacks.
  • Does it start at the beginning, middle or end.
  • Avoid explanation, you need to allow the audience to work it out.
  • Start with the pitch. Short and catchy.
  • Treatment- layout of show, characters, first episode review, series overview.
  • Bible: lots of info about the characters, show and series.
  • First draft (waiting for the green light)
  • Then start writing the rest of the series.
  • Know the ending before you start.
  • Think about whose POV it is.
  • Kick off with an event that gets it going.
  • Character:
    • Get to know you characters.
    • They need to have flaws.
    • Remember that actions have consequences.
    • Characters have traits.
    • Types:
      • Monster- Conflicted. Conflicted with others.
      • Existential hero/heroin- They don't know who they are. They think life will be better if they do know.
      • The Woman- Choices, they have big ones to make. They're very picky.
    • Moments make up characters.
    • There is an existential hero in all of us.
  • Dialogue:
    • Don't have pointless dialogue.
    • Get to the point.
    • Not too on the nose or too discreet.
    • Don't be too formal.
    • Don't say names too often.
    • We all speak using different rhythms.
    • Not too real. Not too dramatic.
  • Screenplay layout:
    • Present tense.
    • Title page, scene headings, action, characters, dialogue, layout.
    • Use INT/EXT or I/E for scene headings. Write if it is day or night.
    • Brief descriptions of locations.
    • New scene = change of time or location.
    • Action goes under scene headings.
    • Character names in capitals.
    • CAPITALS for dramatic sounds/words.
    • Use (V/O) for voice overs or (OS) for off screen dialogue.
    • Try to create artificial cliffhangers to make the reader turn the page.
  • Irony is very useful.
  • Four kinds: Tragic irony, situational irony, comic irony & dramatic irony.
  • Think about a Catch 22 (situations you can't get out of) and Sophie's Choice (tough decisions).
  • Motivation is important.

Story-Telling: Project Evaluation

Pre-Production and The Writing Process

I began this project with a small idea of what kind of story I wanted to make. I knew I wanted to set my film inside a hospital and so I need to come up with and idea to fit this location. After some lectures about story-telling I began writing down a few ideas (Ideas Blog) and eventually the idea I came up with was about a young man who has done something wrong and so has been banned from seeing the birth of his son. See this blog post to find out more about the idea: Story-Telling: The Pitch. I was very happy with this idea and happy with the feedback I received about it. Before I could continue developing the idea I had to do some research about hospitals and the maternity ward in particular. After completing this research I decided to make a few changes to my idea which can be seen here: Idea Changes

Next I began thinking about my characters. I decided that Dylan, the main character, would be a young man (20-25) who had done something wrong. I decided that he would wear dark clothing, to represent the emotions that he is feeling. Dylan repeats himself a lot and hates it when people tell him what to do. He never takes responsibility for his own actions. For Rachael I decided that she would be a young woman (18-20) who is disappointed with Dylan and on the side of the fiancée. She would wear light colours, so show how she contrasts with Dylan. She always speaks her mind, however sometimes it can make a situation worse.

Next I began working on the first draft of my script. I started by writing all the scenes I had already thought the most about, these were my moments. I then added other scenes in around those. This was the first draft, it was awful as you would expect a first draft to be. Most of the dialogue didn't make sense and it was a bit too tell not show. For the second draft I went back through the script and took out the bits I didn't like anymore. I either then replaced them with something better or used the free space to improve a different and more important scene. I worked on all the dialogue and tried to make it as minimal as possible. I also worked on some of my location descriptions at the start of each scene and I worked on the character descriptions too.

Next I made a few more changes to form my third draft and after a feedback session with my tutor, I made more changes that then formed my fourth draft. Before writing my fifth draft I had a feedback session with Steve Combes, a professional screenwriter. Steven and I went through the script together and picked it apart, deciding what worked well and what could be changed. Steve made some suggestions about the opening scene. He said I could give the van a reason to be there so the accident isn't just a coincidence. Next we moved onto the main character, Dylan. Steve thought it would be good to think about his back story and what it is he might have done to annoy his fiancée. We both decided that Dylan was a gambler. Finally we looked at the structure of the script and how I could break the story up a little. Steve suggested that I split my first waiting room scene into two separate waiting room scenes. Overall I loved the feedback I got from Steve and I'm glad he liked my script, he said it had a lot of potential. I made most of the changes he suggested and produced draft five of my script. This draft is the one I used during my shoot.

Now that my shooting script was ready, I needed to start working on my pre-production. I started by thinking about the locations I could use. I though about using The Maidstone Studios because I felt it looked like a hospital and that with a little bit of work I could turn one of our base rooms into a waiting room. I also though about using a local park, Vinters Park, as the location for my opening scene. Once I had decided on these locations I went about getting permission to use them. I filled out risk assessments for both locations and handed them to the right people. The Studios gave me permission to use one of their carparks and the University gave me permission to use one of their lecture rooms. For these risk assessments I had to literally think of everything. The risk assessments can be found in this blog.

Once I had got my locations I had to think about sorting out a cast and crew. I asked fellow students if they could help me out and eventually I had a cast and crew. Next I worked on creating a call sheet and schedule for my cast and crew. I wanted these to be very detailed so every knew everything they needed to know. The schedule and call sheet can be found here. Once these were complete I emailed them to my cast and crew. I also emailed them an edited copy of the shooting script so they could have a read through before we began shooting.

Next as part of my pre-production work I wanted to test out an effect I had would have to pull off for an essential part of my script to work. I needed to see whether I had the ability to fake someone being hit by a van. I went out a shot the footage in the same way I was planning to for the final shoot and then edited it together. Here is the result of that test and the process I went through to create it: Crash Test.

And finally, I created a set of shot lists for my camera operator to help him understand how I wanted the film to be composed. These detailed the scene, shot number, description, framing specs, takes, and additional notes.

Now my pre-production was complete, it was time to start shooting.

Production

Day 1: I had arranged for my crew to meet me at The Maidstone Studios. Once everyone arrived I went to see Fergus, our technician, to pick up my booked camera equipment. Unfortunately my equipment was not available straight away and meant I had to wait around until it was available. Instead of sitting around doing nothing, my crew and I set up our location. Once this was done I called my actress in and we rehearsed the scenes we were going to shoot.
Once our equipment was available we began by shooting scene 3 and then we shot scene 4, which was meant to be set later on in the day. After we had done all this we had a lunch break. After lunch I booked out the camera track and set it up in the waiting room. We then re-shot parts of both scenes, mostly the walking parts, using the track to get some nice filler and establishing shots. Finally we used the track to shoot a time-lapse sequence that is going to be used to show the time passing between scenes 3 and 4. Once all this was complete we packed up and reset the room. The shoot went really well. Even though we had a couple of set backs, we managed to finish on time and I managed to get all the shots I needed. My crew and cast were amazing and very cooperative. I think I directed everyone very well, and even though I wasn't behind the camera I think I managed to get the exact shots I had in mind, and I think this was down to my detailed shot lists.

Day 2: On this day I had to film a big scene involving my main character: the accident scene. The scene had to be shot in a specific way for it to work and so it was a very nerve racking day for me. However, before we could begin shooting that scene, we needed to re-shoot some things from day one. We set up part of the waiting room again, set up the equipment and began shooting. I ensured everything was the same to avoid any continuity issues. Once this filming was complete, we reset the room, packed the equipment up and took a short break. After our break we headed to a next location which was a park that ran around the back of the studios. Once there we set up and began shooting scene 1. I was pleased to see that we finished ahead of schedule, which meant we would have more time to shoot scene 2 which was the crucial van accident scene. After lunch we headed out to the car park. First I looked around at the space we had been given and blocked out the scene, deciding were the crucial moment would take place. We then shot the scene, which involved a lot of running, all the way up to the moment before the accident. Then we took a break whilst I set up for the camera for the final shot. Finally, we shot the accident and then we were done, ahead of schedule.

A more detailed look at these two days can be found here (day 1) and here (day 2).

Post-Production

Now I have completed my filming, I can being working on the post-production.

Before doing anything, I imported my footage into Premiere Pro. I then sorted through the footage and separated it using bins. Once I had organised everything, I began working on a radio edit. That meant that I was only going to focus on getting all the audio in the correct order, insuring all the lines spoken followed the layout of the script. To do this I went through each piece of footage, choosing the shots with the best audio and then placing it into the timeline. Next I used the edit tools to go through the clips and match all the audio up. Once I had a smooth sounding radio edit I used the same tools to go through the footage and match it up, layering some shots over audio from other shots to make the cuts seem less obvious.

Next I moved onto the shots that required some visual effects work. For this project there was only one shot that required some VFX work. In this shot my main character is struck by a van as he runs out into the road. To pull off this shot I had to ensure I shot it in a specific way. Unfortunately, when it came to editing the shot together I realised I had to shot it correctly. My blank slate (a shot of just the background, no actor) was different from all of my other shots. I thought I had locked off the camera but it must have moved between takes. Because of this I had to think of a way to work around it and still pull the shot off. I took an image of a van from a stock photo website. I opened it in After Effects. In this composition I animated the wheels so they would spin around and then stop as though the van was braking. I also slightly animated the van so it would move a little when it stopped, like a real vehicle would recoil if I were to suddenly brake. I then added some motion blur and finally I saved it.

Next I opened up my original shot, without any VFX, in After Effects. I added the van composition to the shot. I then added some motion to the van so it would move onto screen and then hit my actor at the correct moment. Next I had to crop my actor so his leg would pass in front of the van like it was hitting him. Finally I added some motion blur and that was the shot finished. I added in a 3D camera. I then used a special After Effects code [wiggle(1,50)] that adds a handheld style look by adding a random movement to the 3D camera. Once this was complete, I added a camera zoom a few frames before my character was hit by the van and then the shot was complete.

Now all of my footage was fine tuned, it was time to add all my sound effects and music, adjust the sound levels and mix it all together. I also needed to add my titles. I used the YouTube Audio Library for all my SFX and music. I added a braking sound effect, horn sound effect and engine sound effect to the van accident scene. I also added ambience sound effects throughout the scenes set inside the waiting room and I added some ambience sounds during the opening scene in the park. Next, I added my titles to the opening scene and the other titles needed between scenes to help establish which parts were flashbacks and which were not.

These edits formed the rough cut. A more detailed version of my post-production process can be found here. Some of the changes I made to form my fine cut can be found here.

Overall I am happy with the feedback I received for the rough and fine cut. All the changes suggested to me by my tutor have heavily improved the final cut of my film.

Overall Evaluation: Critical Reflections
  • Strengths-
    • My organisations skills made preparing for my shoot very easy. I was able to produce detailed call sheets and schedules that ensure my cast and crew knew everything they needed to know before any filming began. I ensured that my locations were booked a least a week before I planned to film, this meant I had time to complete the necessary risk assessments.
    • My overall production skills were good. I ensured every knew what they were doing. I rehearsed the scenes with the actors before shooting anything to ensure they knew how I wanted them to act the scene out. I stayed in contact with my DOP at all times to ensure that he knew how I wanted each scene to be shot. I also allowed him to have some creative input as I believe that having input from others, who may see your story from a different perspective, can be really useful.
    • My editing skills came in handy, especially when I had to add some very specific VFX to some of my shots. I think the final film is cut very tightly and visually I think it is very nice. When it came to colour correction I desaturated a lot of the footage and tone down the brightness and contrast because of the connotation the lack of colour has with the mood that Dylan would be feeling, and the overall mood of the story. Another use of colour in this film is that of Dylan's clothing. He is wearing red and black, which are the colours of gambling. This hints at the fact that he has a gambling problem hence why he is in this predicament.
    • Sound is a strong point of mine. I ensured that the boom operator knew the kind of sound I was looking for. I made sure he was always picking up good sound whilst we were filming, so I wouldn't have any major issues during the post-production process. When it came to editing, I used a lot of sound effects and ambiences to really sell the story. I then did a lot of sound mixing to help blend all the sounds together. I think the sound of this film came out really well in the end.
    • I think my directing skills were good. Everyone knew what they were doing and knew what kind of plans I had for the story. The DOP knew exactly how I wanted to shoot the film and as a result of this all of my final shots came out exactly as I had imagined. My actress knew exactly how I wanted her to say the lines and what body language she needed to use. As a result of this, her sides of the story were perfect, it's just a shame my acting let my side of the story down.
  • Weaknesses
    • I think in some way my editing skills let me down a little as well. Although I was able to cut together a tight edit, I wasn't able to fix my issues with the television screens in my waiting room. I tried my best to replace the screens but I just couldn't pull it off. I think if I had more time I could have learnt how to complete it properly.
    • My acting skills (of which I have none it would seem) let me down. My actress was brilliant and really sold the story. However I feel that every time I said a line I completely ruined the atmosphere. I also did not run fast enough during the opening scene which made editing together a fast paced running sequence quite difficult.
    • I think my scriptwriting skills ruined my idea. At first I thought the idea was great, and I still do, however I feel that the script I wrote destroyed any hopes of it being great. I feel that the final product is a little boring. And if you find your own work boring, it isn't a good thing. This is definitely down to the bland script that I produced.
    • I should have checked through all the settings on the camera before I began shooting. I didn't see that the gain levels were set to their highest point and therefore I ended up with very grainy footage. I was disappointed with this but I was able to reduce the amount of grain with a bit of colour correction.
    • I think I could have spent more time completing research during my pre-production phase. I had an idea of what a hospital waiting room would be like but I still don't think I accurately portrayed it. With a bit more research I think it could have been more accurately portrayed.
  • Possible developments- What did I learn?
    • I would think about how I would replace the tv screens before production began. This would have meant I could have put a green screen on the tv and then added some tracking markers to make post-production tracking and cropping a lot easier. A few people did suggest this to me prior to filming and I now wish I had listened to them.
    • I would complete more research on the hospital environment, gambling, and young couples. This would have made certain aspects of the story a bit more believable. It would have also helped me with my descriptions in the script. And I would have been able to write better dialogue, knowing a little bit more about how someone in Dylan's situation would say and how someone like Rachel would respond.
    • I would ask for advice from professionals, like Steve, because I feel my final script was not as good as it could have been. My script let my story down, it had so much more potential.
    • I would think of something I can add into the film to make the second half a little more interesting. I personally found it a little boring, which is not good.
    • I would ensure I checked all the necessary settings on the camera before I shot anything to avoid getting really grainy footage again.
    • I will NOT be acting in my own film again. I completely ruined the atmosphere that the film was supposed to have. I should have listened to my tutor when he suggested that it wouldn't be a good idea.
Overall I am happy with the final product. I think it has been cut together really well. I was able to pull of the van accident using VFX and my sound and visuals came out really well. It's just a shame that my acting and scriptwriting made for a bit of a boring story. The film itself looks good, I think the colour correction process I went through was a good choice and it matches the atmosphere the film is supposed to have. If I were to do this again there are a few things I would do differently, the main one being that I would not have been in it myself. To summarise, visually and sound wise it is good; script wise I think it could have been a lot better. But, to end on a positive, I am very pleased and proud of the work I have produced. I look forward to everyones feedback.

Story-Telling: Pre-Production- Shot Lists

As part of my pre-production process I created a set of shot lists for my camera operator to help him understand how I wanted the film to be composed. These detailed the scene, shot number, description, framing specs, takes, and additional notes.

Here are some pages from my shot lists:




Thursday 26 November 2015

Fine Cut Feedback

After completing my fine cut, I received some feedback:

  • All the changes I have made since the rough cut have improved the film.
  • I still need to work on bridging the gap between scenes 3 and 4. The use of a title to show the passing of time is confusing. The title should be removed and then this will work fine.
  • The TV screens still need to be replaced.
  • The van could be an ambulance instead but this is only a suggestion and isn't essential.
  • Everything else is fine, the film is cut together very tightly.
To fix these issues I will:
  • I will remove the title between scenes 3 and 4 to reduce the confusion.
  • I will continue working on trying to replace the TV screens.
  • I will consider replacing the van with an ambulance if I have the time to do so.
Once all these changes are made, I will colour correct my film and the I will have my final cut ready for submission.

Story-Telling: Rough Cut Feedback & Fine Cut Edit

After reviewing my rough cut this was the feedback I received:

  • The timing of the music used during the opening sequence needed to be adjusted. It came in too early.
  • The van accident was executed well.
  • The opening titles needed to be changed. They were distracting. The title of the film didn't stand out against the other titles. It needed to be a different font or colour or side.
  • The television in the waiting room was very distracting and messed with the continuity of the film. I need to replace the image on the screen in each shot it appears in to help remove this issue.
  • The film needs some end credits so the audience is aware that the film has ended and not just suddenly cut to black.
  • Dylan looks at his phone during the second half of the film. I need to cut to a close up of his reaction to the text message he has received, instead of using a wide shot of him.
  • I need to come up with a way to bridge the gap between scenes 3 and 4 without confusing the audience. They need to be able to see that time has passed.
  • My background ambience for the waiting room could be improved and sound more hospital like.
  • I need an establishing shot of some sort so the audience are aware that the film is set inside a hospital waiting room.
  • The sound effect used when one of the characters is talking on the phone could be improved.
  • Overall the film is cut together well, it just needs a bit more work.
To fix these issues I will:
  • Adjust the timing of the music during the opening sequence so the audience do not known that something bad is about to happen.
  • Move my titles (cast and crew credits) to the end of the film to help fix the opening sequence and to signify the end of the film.
  • I will try to replace the tv screen in every shot by tracking and cropping it in After Effects. This will be a difficult job but I will try my best to complete it in time.
  • I did not film a close up of Dylan as he looked at his phone so I will need to crop a wider shot and make it look like a close up instead. This is not the best way to resolve this issue but because of time constraints it's the only option I have.
  • I will add a timelapse shot to the gap between scenes 3 and 4 to help bridge the two together and to help the audience understand that time has passed.
  • I will add a few more ambient sound effects to my waiting room scene to create more of a hospital feel.
  • I will add an establishing shot to show the audience that the film is set inside a hospital.
  • I will work on improving the phone sound effect so it is more realistic.
All of these changes will help form my fine cut, which I will get further feedback from.

Story-Telling: Editing Rough Cut

My shoot is over, now I need to edit together a rough cut in Premiere Pro.

Step 1: Radio Edit

Some of the bins I used
Before doing anything, I moved my footage onto my hard drive and then imported it into Premiere Pro. I then sorted through the footage and separated it using bins. For example, some of my bins contained all of the running shots from the opening scene or all of Rachel's shots from scene 3. I also created three sequences to work in: Pre-opening, Part 1 & Part 2.

Once I had organised everything, I began working on a radio edit. That meant that I was only going to focus on getting all the audio in the correct order, insuring all the lines spoken followed the layout of the script. To do this I went through each piece of footage, choosing the shots with the best audio, marking my in and out points and then placing it into the timeline. Next I used the ripple delete and rolling edit tools to go through the clips and match all the audio up. Once I had a smooth sounding radio edit I used the same tools to go through the footage and match it up, layering some shots over audio from other shots to make the cuts seem less obvious.

The timeline for the opening scene
I went through each sequence and fine tuned each shot, adjusting cutting points where needed, even if it meant cutting a few frames earlier or later. I replaced audio on some shots were a different audio take was better and then eventually this step was complete.


Step 2: VFX

Once I had fine tuned the cuts and audio in the radio edit, I moved onto the shots that required some visual effects work. For this project there was only one shot that required some VFX work. In this shot my main character is struck by a van as he runs out into the road. To pull off this shot I had to ensure I shot it in a specific way. Unfortunately, when it came to editing the shot together I realised I had to shot it correctly. My blank slate (a shot of just the background, no actor) was different from all of my other shots. I thought I had locked off the camera but it must have moved between takes. Because of this I had to think of a way to work around it and still pull the shot off.

The van composition
Before importing the footage in After Effects, I took an image of a van from a stock photo website and imported it into Photoshop. In Photoshop I removed the wheels and saved them as a new file. I also added a driver into the front seat as the stock image did not have one. Next I opened the two new files I had in After Effects. I then created a new composition. In this composition I put the wheels back onto the van and animated them so they would spin around and then stop as though the van was braking. I also slightly animated the van so it would move a little when it stopped, like a real vehicle would recoil if I were to suddenly brake. I then added some motion blur and finally I saved it.

Cropping around the leg
Next I opened up my original shot, without any VFX, in After Effects. I watched the shot back and picked the point at which point the van would strike my actor. Once I had marked this point I added the van composition into the timeline. I then added some motion to the van so it would move onto screen and then hit my actor at the point I had chosen. I made sure to add a little recoil as though the van was braking as it hit him. Next I had to crop my actor so his leg would pass in front of the van like it was hitting him. I then had to do the same for the few frames that involved my actor doing this. Finally I added some motion blur and that was the shot finished.

The final composition
After viewing the shot back I realised it needed something else, so I opened it back up in After Effects. It needed some camera movement, so I added in a 3D camera. I then used a special After Effects code [wiggle(1,50)] that adds a handheld style look by adding a random movement to the 3D camera. Once this was complete, I added a camera zoom a few frames before my character was hit by the van and then the shot was complete.




Step 3: Sound and Titles

Now all of my footage was fine tuned, it was time to add all my sound effects and music, adjust the sound levels and mix it all together. I also needed to add my titles. To find my sound effects and music I used the YouTube Audio Library. Once I had found all the sounds and music I wanted, I imported them into Premiere Pro and began placing them into the timeline. I added a braking sound effect, horn sound effect and engine sound effect to the van accident scene. I also added ambience sound effects throughout the scenes set inside the waiting room and I added some ambience sounds during the opening scene in the park. Then, I added an ambulance sound effect to the opening scene in the hospital car park. Next, I added my titles to the opening scene and the other titles needed between scenes to help establish which parts were flashbacks and which were not.

And that was it, the rough cut was complete. I am planning to do all the colour correction after I have completed the final cut. First I will get some feedback on this rough cut.

Sunday 22 November 2015

Story-Telling: Filming Day 2

Day one of filming is complete. Now it's time to shoot my big opening sequence.

Filming Day 2:

On this day I had to film a big scene involving my main character. In the scene he is hit my a van that is trying to find a space in the busy hospital car park. The scene had to be shot in a specific way for it to work and so it was a very nerve racking day for me. However, before we could begin shooting that scene, we needed to re-shoot some things from day one.

The crew and I arrived at The Maidstone Studios at 10:30am ready to start filming at 11:00am. We collected our equipment and headed back into our waiting room set to begin re-shooting some scenes. I didn't need to ask my actress to come back in because she was not in the shots we needed. We set up part of the waiting room again, set up the equipment and began shooting. I ensured everything was the same to avoid any continuity issues. Once this filming was complete, we reset the room, packed the equipment up and took a short break. During this break I briefed my crew on the health and safety of our next location and I checked to make sure our locations for the day were still available.

After our break we headed to a next location which was a park that ran around the back of the studios. Once there we set up and began shooting scene 1. I briefed my camera operator on how I was planning to frame this scene and we got started. We shot a couple of takes of each angle. I was pleased to see that we finished ahead of schedule, which meant we would have more time to shoot scene 2 which was the crucial van accident scene.

After lunch we headed out to the car park of The Maidstone Studios where they had very kindly roped off an area for me to shoot in. First I looked around at the space we had been given and blocked out the scene, deciding were the crucial moment would take place. To shoot this scene we decided to use a Fig Rig which would help us get the handheld look I was going for but also prevent the shots from being so shaky you couldn't tell what was going on. Next I briefed the crew on health and safety and how I was planning to shoot the scene and then we got started. We shot the scene, which involved a lot of running, all the way up to the moment before the accident. Then we took a break whilst I set up for the camera for the final shot. The reason I did this was because I was going to be the one who had to edit the scene and I needed to ensure it was shot correctly otherwise the visual effect I was planning to do wouldn't work. Finally, we shot the accident and then we were done, ahead of schedule.



And that was it, my shoot was over. Next, it was time to edit.

Story-Telling: Filming Day 1

My script is complete, my pre-production is done and now I can start filming. 

Day 1:

The Waiting Room
I had arranged for my crew to meet me at The Maidstone Studios at 10:30am so we could begin filming at 11:00am. Of course I turned up late and my crew were waiting for me. Before doing anything else I checked that my locations were still available. Once I had done this I went to see Fergus, our technician, to pick up my booked camera equipment. Unfortunately my equipment was not available straight away because someone else still needed to bring it back. This meant I had to wait around until it was available. Instead of sitting around doing nothing, my crew and I set up our location. We had to turn one of our lecture rooms into a hospital waiting room.  Once this was done I called my actress in and we rehearsed the scenes we were going to shoot.
Once we had finished the rehearsals the equipment was available to so I picked it up and we began setting it all up. Next I gave a health and safety briefing, let everyone know what I was planning to shoot and we got started. First we shot scene 3, which wasn't too difficult as it was just a conversation between my two main characters. Next we shot scene 4, which was meant to be set later on in the day and was also not too difficult because again it was just a conversation between my two main characters. After we had done all this we had a lunch break.

After lunch I booked out the camera track and set it up in the waiting room. I pushed a row of chairs forward and set the track up behind it. We then re-shot parts of both scenes, mostly the walking parts, using the track to get some nice filler and establishing shots. Finally we used the track to shoot a time-lapse sequence that is going to be used to show the time passing between scenes 3 and 4. Once all this was complete we packed up and reset the room.

The shoot went really well. Even though we had a couple of set backs, we managed to finish on time and I managed to get all the shots I needed. My crew and cast were amazing and very cooperative. I think I directed everyone very well, and even though I wasn't behind the camera I think I managed to get the exact shots I had in mind, and I think this was down to my detailed shot lists.



Story-Telling: Real Gone (Short Film by Seth Worley)

Real Gone is a short film by Seth Worley. It's about a man named Elwood Holler who, no matter how hard he tries, just can't end his own life.

Who is Seth Worley?

Seth Worley is an American film director and writer. He is known by most for his short films Plot Device (2011), Spy Vs Guy (2013) and Real Gone (2015). In his time he has also worked on a special TV Commercial for Star Trek Into Darkness.



Real Gone (2015)

Real Gone is a short film about a man who is trying and failing to kill himself. Although it deals with a tough subject, it does it in a comical tone. Because of the films comical tone, you forget you're watching a film about a man trying to commit suicide. I love how the film keeps you engaged throughout even though there is a high lack of dialogue, it's mostly just action. The man in the film tries everything he can think of but still can't kill himself. Towards the end he saves someone from a burning building and changes he mind, however (spoiler alert) he is hit by a fire engine and dies. He then ends up in his happy place, the place he has been trying to get to all along.

I love this film a lot and that's why I have chosen to look at it. I like the style it has, in terms of the way it has been written, shot and coloured. The film is shot very well and the visual effects used add to it even more. I watched a series of behind the scenes shows about the film produced by Ryan Connolly, who is a friend of Seth and who hosts a filmmaking YouTube series called Film Riot. In fact this film was produced as part of the Film Riot Epic Summer that took place in 2015. Whilst I'm producing and editing my own project I will keep this film in mind because I like it's style and the way it tackles a tough issue in a comical way, the tough issues in mine being gambling addiction and broken families.


Story-Telling: Tell (short film)

Tell is a short film by Ryan Connolly. The film centres around a man named Taylor who, during an argument, murders his girlfriend Jenny. It's loosely based on a short story by Edgar Allan Poe called "The Tell-Tale Heart".

Who is Ryan Connolly?

Ryan Connolly is an American writer, director, producer and editor. He is mostly well known for his short films Losses (2011), Tell (2012), PROXiMITY (2013), U.F.Oh Yeah (2015) and Portal Combat (2015). He also recently worked with short film director Seth Worley to create Real Gone (2015), which I have written about in another blog. Ryan is also know for creating the YouTube series Film Riot, a collection of videos about the art of filmmaking. I first discovered Film Riot about 3 years ago and it's where I learnt everything I know about filmmaking. Ryan Connolly, in my opinion, is an incredible man because he has dedicated his time to teaching others what he has learnt as a filmmaker. For over five years now all of there over 700,000 subscribes have followed him as he has worked his way up the industry ladder, and along the way he has taught us everything he knows and even more.

Tell (2012)

Whilst looking at Tell I only focused on the first two and a half minutes (the pre-title sequence) because my own piece is only going to be about two minutes long. The opening of this film sets up the entire 30 minute story. The sequence begins with Taylor and Jenny arguing. Jenny is asking Taylor lots of questions about where he goes because he disappears all the time. Taylor walks away from her and heads outside to his car. He gets a hammer out of the boot. He then heads back inside and attacks Jenny, killing her. I love the way this scene was shot. After Taylor walks out, the rest of the scene is done in one stedi-cam shot. As Taylor goes back into the house, the camera slowly heads in behind him, going through the house and into the kitchen. We do not see Taylor attack Jenny, we only hear it and see the aftermath. The scene is a brilliant piece of filmmaking and I love it, hence why I've chosen to focus on it during the pre-production for my own film. I love how Ryan was able to fit the entire set-up plot for the film into the first two minutes in such an effective way. I will take inspiration from this when producing my own film to ensure I can fit as much as possible into the first two minutes.


Story-Telling: Vince Gilligan

Creator of Breaking Bad. Enough said. And that's why I want to look at Vince Gilligan.

Who is Vince Gilligan?

Vince Gilligan is an American writer, director and producer. He is know by most as the creator and head writer of the hit US television series Breaking Bad. He is also the executive producer of the spin off series Better Call Saul and was the producer of The X-Files. Similar to the other writer I looked at, Quentin Tarantino, Vince has a way with words, everything he writes means something, he never wastes a word. Breaking Bad has some of the most memorable scenes in television history and was a huge success around the world (although it wasn't at first), and every single moment came from the pen of Vince and his incredible writing team.

Why did I pick Vince Gilligan?

I chose to look at Vince Gilligan because Breaking Bad is one of my favourite shows of all time and I wanted to find out more about the mastermind behind it. I love the style that the show and his writing had, it's unique to him. During the time that Breaking Bad was on it produced some incredible scenes and incredible characters (the best being the villains).

Walter White is a great character, a hero that becomes, in a way, a villain. Vince himself once said "Television is historically good at keeping its characters in a self-imposed stasis so that shows can go on for years or even decades. When I realised this, the logical next step was to think, how can I do a show in which the fundamental drive is toward change?"[1]. Walter had some amazing dialogue throughout the run of the show and his character quickly became a sinister villain. And even though Walter was a villain, audiences across the world still loved him and routed for him all the time. Breaking Bad was an incredible success and that's why I chose to look at Vince Gilligan when writing my own script. His style influenced some of my dialogue in terms of how my main character, Dylan, seems like a bit of a bad guy yet I still want the audience to route for him. Vince Gilligan is an incredible writer and I can't wait to see what he comes up with next!

[1] Chuck Klosterman. (2011). Bad Decisions. Available: http://grantland.com/features/bad-decisions/. Last accessed 22nd Nov 2015.

Story-Telling: Quentin Tarantino

Nobody writes a script like Quentin Tarantino, and that's a fact. So when it came to researching a screenwriter I knew I had to look at him. Every word he writes has meaning.

Who is Quentin Tarantino? (as if you don't know)

Quentin Tarantino
Quentin Tarantino is an American screenwriter, director, producer and occasionally actor (mostly as a cameo in his own movies). He is best known for producing films like Reservoir Dogs (1992), Pulp Fiction (1994), Kill Bill (2003/2004) and Inglourious Basterds (2009). His writing style is very individual, you know when you're reading a Tarantino screenplay. He is known for writing in a non-linear fashion and his stories tend to be of a violent and satirical matter. Tarantino has made a name for himself in Hollywood and his films have a specific and recognisable feel and look to them. He has gained both critical and commercial success over the years, winning many awards including two Oscars, two BAFTAs and two Golden Globes, as well as being named one of the 100 most influential people in the world by Time Magazine. Overall he is a brilliant man.

Why did I choose Tarantino?

I chose to look at Quentin Tarantino because I have always been a fan of his writing style and films. I loved that he can make every single word count, if it doesn't need to be said, he won't write it. His films have a lot of dialogue but each word means something. 

One of my favourite characters of his is Colonel Hans Landa played by Christoph Waltz in Inglourious Basterds. This character has some amazing and sinister dialogue, and Christoph's inspiring acting brings that dialogue to life. Some of his scenes go on for over 10-15 minutes and yet you are hooked the whole time because the dialogue is incredible. The man (Tarantino) has a way with words. The two scenes in the film that have some of Landa's best dialogue in them are the opening scene set in a French farmers kitchen and a scene in the second act set inside a French pub where a meeting takes place between Landa and Aldo Raine (played by Brad Pitt).

The script for the film had been in development for almost a decade before it finally went into production. Tarantino describes his process of writing: "I just come up with what I feel is a neat idea for something, and I'll put in mind. And I'll let it incubate for years. When I want to write, I figure out what genre and what style I want to work in. And then I just kind of flip through the old backlog to see which idea's time has come".

Whilst writing my own script I used the screenplay for Inglourious Basterds as a reference piece as to how a professional, and in this case a unique one, would write. I found it very useful to look at someone else's work. Tarantino is an amazing screenwriter and director and that's why I chose to look at him whilst working on my own script for this story-telling unit.

Thursday 19 November 2015

Story-Telling: Pre-Production- Crash Test

As part of my pre-production work for my story-telling unit I wanted to test out an effect I had would have to pull off for an essential part of my script to work. I needed to see whether I had the ability to fake a car accident. I went out a shot the footage in the same way I was planning to for the final shoot. I then imported the footage into After Effects. Next I used Photoshop to create a van graphic with separated wheels. Then I imported the van into After Effects and animated it. Next I put the scene together, adding the van to the footage I shot, animating it's movement, adding some motion blur and cropping myself out as the van hit me. And finally I added some artificial camera movement to make the scene look more realistic. Here is the finished product:


Wednesday 18 November 2015

Story-Telling: Script Feedback with Steve Combs & Draft 5

Recently I was able to sit down with Steve Combs, a professional script writer, and receive some feedback on my script.

Steven and I went through the script together and picked it apart, deciding what worked well and what could be changed. We started with the opening scene. Steve made some suggestions. He said I could give the van a reason to be there so the accident isn't just a coincidence. He said that maybe the van driver could be another expectant father who is rushing into the hospital, looking for somewhere to park.

Next we moved onto the main character, Dylan. Steve thought it would be good to think about his back story and what it is he might have done to annoy his fiancée. We both decided that Dylan was a gambler who had gambled all his and his fiancée's money away to buy the most expensive baby gadgets available. Unfortunately, it didn't work out how he thought it would and now he is broke. I thought about how I could write this into the script and we both agreed that Dylan could receive a text or call about betting at some point during the story.

Finally we looked at the structure of the script and how I could break the story up a little. Steve suggested that I split my first waiting room scene into two separate waiting room scenes. This is to help spread the story out a little. Steve also made some suggestions about the ending of my script and how I could use the accident more effectively.

Overall I loved the feedback I got from Steve and I'm glad he liked my script, he said it had a lot of potential. I made most of the changes he suggested and produced draft five of my script. This draft is the one I used during my shoot.

Draft 5 Title Page

Editing Workshop: Final Workshop

For our final editing workshop we put all the skills we had learnt to the test and began editing together some of the footage we had shot during the camera workshops. I decided to edit together the footage I shot during my final camera workshop called "Crossing The Line".

I wrote about the process I used to edit this footage together in this post:

http://joshuajonesucatv.blogspot.co.uk/2015/10/camera-workshop-4-crossing-line.html

Overall I'm pleased with the editing workshops and I think I have picked up a lot of useful information that I can use when editing together my story-telling project.

Story-Telling: Pre-production- Call Sheets & Schedules

Before I could begin filming my project I had to produce a call sheet and schedule for my cast and crew. These two documents will make production a lot easier by ensuring everyone knows important information and knows where to be and when to be there. Before I could complete either of the two documents I had to double checked that all my locations and crew were available when I needed them.

Once I completed them both, I emailed them to my cast and crew.

Call sheet (pg1)

Schedule (pg1)


Story-Telling: Pre-production- Risk Assessments

As part of my pre-production I had to fill out risk assessments for all the locations I wanted to film at. These assessments had to look at all the hazards a cast and crew could face, all the way from minor ones to major ones. I had to visit each location I was planning to shoot at and write about all the hazards I could see.

My main location was The Maidstone Studios, and to get permission to film there I had to fill out a very thorough risk assessment. I had to literally think about everything that could happen so that if it did happen I couldn't be held responsible for it.

For my second location I had to also fill out a thorough risk assessment. I wanted to film in a nature reserve close to the studios. I went to the location and walked around where I was planning to shoot. I wrote down everything I could think of and then filled out the risk assessments.

Overall I think my risk assessments were very thorough and I think I had thought of everything that could possibly happen.

My risk assessment

Story-Telling: Thrid & Fourth Draft

After reviewing my second draft I have decided to make some more edits and move onto my third and fourth drafts. For these drafts I have made a few minor changes. I have rewritten my opening scene and changed some of my characters dialogue. Finally I re-wrote my final sequence. Overall most of the changes were made because I wanted to use my car accident more throughout the whole script.

Soon I will have a script feedback session with Steve Combs, who is a professional script writer. After this session I will be able to start writing my fifth draft.

Draft 3 Title Page

Work Experience- Runner on CBBC'S "Ultimate Brain"

Recently I was lucky enough to get the chance to spend two days working as a runner on the set of CBBC'S "Ultimate Brain".
Ultimate Brain Logo
During my time in the studio:

  • I helped the crew bring things on and off set.
  • I kept food and water stocked up.
  • I helped the chaperones look after the contestants.
  • Provided drinks for the crew, contestants & celebrities.
  • I stood-in as the contestants whilst the crew set up their shots.
  • I helped the props department prepare props for the science based games (this included blowing up 600 balloons!)
Whilst I was there I got to watch a lot of the show and see how they prepare for and then shoot some of the games they play on the show. I was able to meet and chat with the stars of the show, and even spend some time with the celebrity contestants. I also spent some time in the gallery watching them mix the show together. I had a brilliant time and learnt so much about how a studio show is put together. I asked loads of questions and found out as much as a possibly could. Everyone was really friendly and happy to answer my questions. I really felt like I was part of the crew and I wish I could have done more than just two days. It was a brilliant piece of work experience and I made some great contacts. I even got to attend the wrap party!! It was a great experience!

Here are some of my photos:

They used a scissor lift to drop water balloons during a game

The Gallery

On set